Position 36 / 64
The Waterfall
A fluid position where the woman lies on her back with slightly elevated legs, mimicking a flow of water.

Understanding the posture
The Waterfall is built around one reclining partner, with an angle that can be adjusted through leg placement. In this guide, “The Waterfall” describes a body arrangement, not a performance target. Body shape, mobility and personal preferences matter more than copying an image exactly.
Step-by-step setup
The reclining partner sets their pelvis and legs first. The other partner then settles while keeping independent support.
- Agree who will guide the pace and choose an immediate stop signal.
- Enter the posture slowly, without jolting or forcing a joint.
- Begin with a small range and adjust only while both partners remain relaxed.
- Use a stable bed edge at a height that works for both partners.
Comfort and communication
Held breath, unusual tension or numbness are cues to slow down, change support or stop. A cushion and a new angle are often more useful than extra effort.
Consent is specific, enthusiastic and reversible at any time. A posture accepted at the start can be stopped without explanation.
- Avoid over-arching the lower back; reduce range or place a cushion under the pelvis.
Adapt and simplify
This posture takes some coordination. Begin with its most stable form and add movements one at a time.
To vary the posture without losing control, change one parameter at a time: direction, height, leg opening or support.
Name and context
“The Waterfall” is used here as a modern editorial label. Names and drawings vary widely between contemporary books; this guide does not claim that this exact form belongs to a canonical Kamasutra passage.
Sources and context
Modern position names vary between publishers. This collection uses descriptive labels and does not claim to reproduce a canonical catalogue from the Sanskrit text.
- World Health Organization — Sexual health
- Planned Parenthood — Sexual consent
- Vātsyāyana, Kamasutra, traduction Wendy Doniger et Sudhir Kakar, Oxford University Press, 2002.









